Surfaces, Simulacra and Sight Simulacra peel Continually from the body’s Surface, each image Bearing the appearance of the Part it belongs to. A purposeful doubling, perhaps, but Afloat they hang Suspended as if unsure of Existence. Only for a Moment because then rapid they Migrate like birds frightened into flight. If no resistance is met, they enter the Stroma to strike the retina, Stirring sight. From there they Impact the mind, invoking inspiration. Not an engineer’s trav

Without division or interval, the body appears as pure form over content, surface without depth.

To Spinoza nomads we traverse a flat shimmering world breeding images. signs & erratic/ erotic encounters; surfaces effacing depth...we killed being you and I – for what? for the sake of ecstatic form. modes counterfeit substance, producing a synthetic real. If being exists it does so as an effect of the imaginary, of imaging. so, not-being, not-at-all-being then, not even becoming.

Adam (1951-52) by Barnett Newman Barnett Newman and the Art of Not Making Graven Images Barnett Newman was born in 1905 to Abraham and Anna Newman, Jewish immigrants from Poland who came to New York City in 1900. Although not religious, Barnett’s father was a passionate Zionist and a supporter of the National Hebrew School of the Bronx. As well as attending Hebrew school, Barnett and his brothers and sisters were educated at home by Jewish scholars from Europe. He went on to

The Potato Eaters Potato eaters – five peasant women, clothed in rags, seated round a square table in a brown room. The scene is set. Outside the frame, a famous artist inspects the dim and manifold prospect… Five chairs, two forks, an oil lamp, a tablecloth, people, a kettle, wooden beams. But nothing – not a single thing – can be fully described, recorded, depicted. Every angle of vision – each perception – refuses to yield the clock’s essence, the kettle’s nature.

In Praise of the Apollonian In Greek mythology, Apollo and Dionysus are both sons of Zeus. Apollo is the god of reason, light and order, while Dionysus is the god of wine, intoxication and ritual madness. Many philosophers and writers have invoked the Apollonian and Dionysian. Nietzsche, of course, employed the concept in The Birth of Tragedy. In the literary and philosophical sense, the Apollonian represents individuality and celebrates creativity through reason and logic.