Spinoza’s Hatchet and the Ethics of Objecthood “For the only perfection and the final purpose [...] of an instrument is to duly fulfil the duties that are assigned to them. For instance, when a carpenter finds himself best served by his hatchet in the construction of a piece of work, then has his hatchet attained its end and perfection; but if he were to think, ‘This hatchet has now served me so well that I will let it rest and not require any more service of it’, just

The Potato Eaters Potato eaters – five peasant women, clothed in rags, seated round a square table in a brown room. The scene is set. Outside the frame, a famous artist inspects the dim and manifold prospect… Five chairs, two forks, an oil lamp, a tablecloth, people, a kettle, wooden beams. But nothing – not a single thing – can be fully described, recorded, depicted. Every angle of vision – each perception – refuses to yield the clock’s essence, the kettle’s nature.

In Praise of the Apollonian In Greek mythology, Apollo and Dionysus are both sons of Zeus. Apollo is the god of reason, light and order, while Dionysus is the god of wine, intoxication and ritual madness. Many philosophers and writers have invoked the Apollonian and Dionysian. Nietzsche, of course, employed the concept in The Birth of Tragedy. In the literary and philosophical sense, the Apollonian represents individuality and celebrates creativity through reason and logic.

Being Flat: Apartment 1a Refrigerator, baby, shoelace, moth, quarks, ceiling, “background,” sink, sieve, “environment,” pencil, cactus, cloth, “climate,” atoms, paper, bottle, “conatus,” “nature,” paw, red, “world,” electron, christmas tree, “love,” Chloe, fibre, cigarettes, vinyl, fishing rod, light bulb, bauble, “space,” picture frame, “genealogy,” tap, king-size bed, television, “universe,” pram, metal, man, hand-carved ornamental cat, coat, string, “cognition,” shape, Di