Spinoza’s Hatchet and the Ethics of Objecthood “For the only perfection and the final purpose [...] of an instrument is to duly fulfil the duties that are assigned to them. For instance, when a carpenter finds himself best served by his hatchet in the construction of a piece of work, then has his hatchet attained its end and perfection; but if he were to think, ‘This hatchet has now served me so well that I will let it rest and not require any more service of it’, just

The World Is Folded in to Every Object The world is folded in to every object And each thing or idea is the folding And unfolding of space, time and history. And the atom is folded and refolded Until the outside becomes inside And matter becomes thought. Matter folded and refolded And unfolded over and again, Until it's thin and translucent, Like consciousness.

Thinking of Being without Heaviness or Depth Part 1: Being and heaviness People who suffer from depression often complain of a feeling of heaviness; not just in the emotional or mental sense, but as something physical — a visceral sensation pressing on the chest or wrapping itself around the body and the legs. Some sufferers say it is like having lead weights on their legs. Among the DSM-IV criteria for atypical depression is: “Leaden paralysis (i.e. heavy, leaden feelings i

Spinoza's Hatchet For the sole perfection and the final end of a slave and of a tool is this, that they duly fulfill the task imposed on them. For example, if a carpenter, while doing some work, finds his Hatchet of excellent service, then this Hatchet has thereby attained its end and perfection; but if he should think: this Hatchet has rendered me such good service now, therefore I shall let it rest, and exact no further service from it, then precisely this Hatchet would fai

The Potato Eaters Potato eaters – five peasant women, clothed in rags, seated round a square table in a brown room. The scene is set. Outside the frame, a famous artist inspects the dim and manifold prospect… Five chairs, two forks, an oil lamp, a tablecloth, people, a kettle, wooden beams. But nothing – not a single thing – can be fully described, recorded, depicted. Every angle of vision – each perception – refuses to yield the clock’s essence, the kettle’s nature.

In Praise of the Apollonian In Greek mythology, Apollo and Dionysus are both sons of Zeus. Apollo is the god of reason, light and order, while Dionysus is the god of wine, intoxication and ritual madness. Many philosophers and writers have invoked the Apollonian and Dionysian. Nietzsche, of course, employed the concept in The Birth of Tragedy. In the literary and philosophical sense, the Apollonian represents individuality and celebrates creativity through reason and logic.

What Is Flat Poetics? Flat poetics is derived from a recent development in metaphysical philosophy called object-oriented philosophy, also known as object-oriented ontology. Object-oriented ontology is anthrodecentric and anti-correlationist. It radically challenges the Kantian (and post-Kantian) human–world correlate. Objects do not merely exist in relation to humans but are ontologically concrete and worthy of investigation in and of themselves. To put it another way, hum

Being Flat: Apartment 1a Refrigerator, baby, shoelace, moth, quarks, ceiling, “background,” sink, sieve, “environment,” pencil, cactus, cloth, “climate,” atoms, paper, bottle, “conatus,” “nature,” paw, red, “world,” electron, christmas tree, “love,” Chloe, fibre, cigarettes, vinyl, fishing rod, light bulb, bauble, “space,” picture frame, “genealogy,” tap, king-size bed, television, “universe,” pram, metal, man, hand-carved ornamental cat, coat, string, “cognition,” shape, Di