When viewed under the lens of Alfred Jarry’s 'pataphysics — the so-called science of imaginary solutions that “symbolically attributes the properties of objects, described by their virtuality, to their lineaments” — the humble conjunction ‘and’ occupies a liminal space in poetic titles. Easily dismissed as a mere linguistic connector, ‘and’ here acts as a non-identical operator that defies conventional logic. Long acknowledged as a forerunner of the radical avant‑garde — Dad

A man carrying a voice recorder pauses at the door, enters.   He looks a lot like Kafka but has the eyes of Tennyson.   He possesses a...

[ Disguised .] Yes, it is I. In I come, out I go. Yes, I am it. It writes. I will write a supplication. Here. Now. As follows. And in...

Cryptic The scent of a foreign newspaper in the morning: New ink on old investments and trades. While down in Berlin, the autobus...

Discourse in the Garden An olive grove. Night. The sound of approaching footsteps. SOCRATES: ‘Swounds! A dark day for strong flowers...

A Subject without a Code gazoom: a new section opens up undertones of black subterranea. reconstructed man exits the door, passes into...