Opulent Absurdities:    The Aristocrat as Pataphysician       Lord Ardenforde opens a jewellery box to reveal  a platinum brooch, rhodium watch, immortal diamond choker;  and on the quiltwork, a tiger-eye necklace pendant.  Exclamations clamour as seven yellow balloons ascend  to the Taj Mahal painting that hangs from the ceiling beams.  Soap-skinned Valentine looks on astonished,  an obsequious grin dripping from his amazing hollow face.  Plush telephones purr polite

When viewed under the lens of Alfred Jarry’s 'pataphysics — the so-called science of imaginary solutions that “symbolically attributes the properties of objects, described by their virtuality, to their lineaments” — the humble conjunction ‘and’ occupies a liminal space in poetic titles. Easily dismissed as a mere linguistic connector, ‘and’ here acts as a non-identical operator that defies conventional logic. Long acknowledged as a forerunner of the radical avant‑garde — Dad

A tool for imitating movement, For the small things that penetrate, For the breath's expulsion ...