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Portrait, Or: Idea of a Body without Organs: 'Face Value'
Without division or interval,
the body appears as pure form
over content, surface without depth.

Richard Mather


Itself in Mind for the Future
Itself in Mind for the Future We see the visible world as somehow inevitable, with all its ratios of movement & rest, its manifold shapes & ecstatic forms, not realising that nature is always busy, acting unseen in all its power, without external cause, producing within itself its own effects, differentiating this idea from that idea, bypassing one potential in favour of another, & making actual a particular mode of being (a mutation, a thing, a body, a colour), while keeping

Richard Mather


The World Is Folded in to Every Object
The World Is Folded in to Every Object The world is folded in to every object And each thing or idea is the folding And unfolding of space, time and history. And the atom is folded and refolded Until the outside becomes inside And matter becomes thought. Matter folded and refolded And unfolded over and again, Until it's thin and translucent, Like consciousness.

Richard Mather


To Spinoza
To Spinoza nomads we traverse a flat shimmering world breeding images. signs & erratic/ erotic encounters; surfaces effacing depth...we killed being you and I – for what? for the sake of ecstatic form. modes counterfeit substance, producing a synthetic real. If being exists it does so as an effect of the imaginary, of imaging. so, not-being, not-at-all-being then, not even becoming.

Richard Mather


Thinking of Being without Heaviness or Depth
Thinking of Being without Heaviness or Depth Part 1: Being and heaviness People who suffer from depression often complain of a feeling of heaviness; not just in the emotional or mental sense, but as something physical — a visceral sensation pressing on the chest or wrapping itself around the body and the legs. Some sufferers say it is like having lead weights on their legs. Among the DSM-IV criteria for atypical depression is: “Leaden paralysis (i.e. heavy, leaden feelings i

Richard Mather
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